Angel tattoo designs are gaining popularity
Having scanned the image in at 600 dpi, in Photoshop I then make a layer on MULITIPLY setting, onto which with the PENCIL tool I draw/paint/whatever it is you do in the digital context, areas of flat colour corresponding with the lines of the original drawing.
Usually making a copy of this FLAT COLOUR layer – as I call it (turning off the original flat layer, thus preserving the original should anything go awry) I then mould the copied flat colour layer with the BURN tool, working in shadows and form as appropriate.

Finally over the line drawing and the moulded colour I make a HIGHLIGHTS or SHINE layer (sometimes both if I am really pushing things around) onto which with the BRUSH tool I work all the glimmers and glows and shines that pull the image out and finishes it off.

Not much to it really, just time and the right ordering of layers. I highly recommend some form of drawing tablet for this though, drawing fine details with what amounts to a bar of remote soap (by which I mean a mouse) is not so much fun and does not allow quite the same finish without some extra frustration and effort. (Believe me, I have tried for many years with mouse only, and when I finally got a tablet it was like a whole new world opened up… usual story.)
What I like about this combination is the immediacy of a real drawing yet the glamour and finish of fine digital colour. Oh, and I used the same process for the image of Europe you see as a background to this blog.
I hope that is what you were looking for, Elinor.
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